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大型高清纪录片《钓鱼城——天神折鞭之地》由中共合川区委、合川区人民政府与中央电视台纪录频道合作、斥资400余万拍摄制作。于2015年7月28日在央视纪录频道CCTV-9隆重首播。该片史料翔实，叙述准确，艺术化的再现了钓鱼城这一古战场的整体风貌，披露了许多鲜为人知的历史细节，真实全面的反映了1259年蒙哥御驾亲征攻打钓鱼城，从2月开始攻城，到7月蒙哥战死撤军的历程。其故事情节精彩，战役规模宏大，情节跌宕起伏，人物个性鲜明，向世界展示了钓鱼城的历史价值、军事价值以及此地深厚的历史文化内涵。。达克斯为了一圆自己的篮球梦，参加在洛克公园举办的街头篮球锦标赛。在他输给对手穆奇后，自己的运势不断地走下坡路，直到达克斯遇见了前街头霸主——德鲁大叔，希望获得他的助力，而德鲁大叔提出建立自己的球队。 为此，两人共同出发去寻找德鲁大叔的老队员们（沙奎尔·奥尼尔、克里斯·韦伯、雷吉·米勒、内特·罗宾逊），之后一场场精彩绝伦的比赛不断上演，也发生了一系列趣味横生的故事。。The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。